Melanie is a visual artist and practice-based researcher at the Royal College of Art. She is interested in the relationship between starlight, photography and materiality.  Her PhD practice-based research "Ancient Light" considers how light travels thousands, if not millions of years, before reaching photosensitive film or a digital sensor.  Her main body of photographs “Ancient Light” comprises of a series of analogue photographic negatives and prints of star-scapes, as well as a series of images created using telescopes and observatories around the world. Alongside this body of work, Melanie has produced 16mm films of the Moon and photographic etchings created using meteorite-imbued ink, milled at the Royal School of Mines. Melanie has produced daguerreotypes and world-record sized cyanotypes exploring the relationship with the Sun and photosensitive material. The purpose of her research is to demonstrate the intimate connection between celestial objects (sun, moon, stars), photographic material and the natural world. Melanie is currently researching sustainable photographic processes, to minimise the environmental impact of her artistic practice.